Laura Bird grew up along
the St. Lawrence River, in the town of Gananoque, Ontario. She was born
into a musical family - her grandfather Dr. Godfrey Bird played viola
and piano, instilling his family with an appreciation of 'the arts'
that flourished through the subsequent generations. With her parents
both being choral vocalists, music is clearly in her DNA.
From the moment Laura saw
a CBC documentary featuring a late 1960's Mariposa Folk Festival, she
knew she was destined to play. Getting her first guitar at 10 years
old and discovering gems in her parents' record collection - Ian & Sylvia,
Joan Baez, 1940's jazz standards - this self-taught guitarist was performing
by her eleventh birthday. She began attending the Mariposa Festival
in the early '70's, drinking in the music that was to shape her adult
life. Soon her own record collection included James Taylor, Emmy Lou
Harris, John Hartford, John Prine, Steve Goodman and Joni Mitchell;
she hung out at the Kingston coffeehouses and followed the careers of
Colleen Peterson and Stan Rogers among others. As her musical interests
and influences continued to expand, so did her awareness of the 'songwriting
craft' itself. She began to explore songwriters like Johnny Mercer,
George & Ira Gershwin, Harold Arlen, Irving Berlin and Hoagy Carmichael,
ultimately discovering what she fondly refers to as her 'inner lounge
lizard'.
By her mid-teens, Laura
was playing in her first acoustic folk-roots/bluegrass band, making
appearances at local fall fairs and The Wintario Show, as well as performing
for institutionalized children at the Brockville Psychiatric Unit. During
the mid-to-late 70's she attended college in Kingston, Ontario, where
she studied fine arts and graphic design and made her first foray into
songwriting and performing at the St. Lawrence College and Queen's University
pubs, the Scarecrow Coffee House and even the infamous Prison For Women.
Leaving Kingston for Ottawa and eventually settling in Toronto in 1981,
Laura continued to hone her skills as a songwriter and guitar player.
She became well known on the Ontario Bluegrass 'circuit' making appearances
as guest vocalist with the award-winning bluegrass band Blue Mule. By
the late '80's she was with a folk-roots quartet (Robert Reid on guitar,
John Merchant on mandolin/bass and Jack Walker on Dobro).
In 1990 Laura married husband
Javier Santamaria and moved to Orangeville, Ontario where she met songwriter
Sharon MacLean. The two women began singing harmony together, sharing
writing sessions and often performed locally as a duo. In 1998 Laura
and Javier, along with Carl Borgstrom and a few other local music enthusiasts,
formed the Headwaters Acoustic Music Society (HAMS) and began presenting
the "Live! At the Opera House" concert series. Laura marks the turning
point in her career precisely on the evening of March 12, 1999 when
she performed an opening set for singer-songwriter Stephen Fearing which
was recorded and mixed to disc. Making the live disc a reality inspired
Laura to record and co-produce what ultimately became her first full-length
studio release, Dreamwalker (August 2000). Collaborators were vital
to the process; they included engineer/co-producer Karen Kane, Doug
Walker with his entire vintage microphone collection, players from her
quartet, and old bluegrass cohorts including violinist Marion Linton,
mandolinist Geoff Somers and award-winning harmonica man Mike Stevens,
as well as contributions by eventual three-time JUNO award winner David
Francey.
Since the release of Dreamwalker,
Laura has firmly established her roots in the folk community, appearing
at Ontario festivals including the Owen Sound Summerfolk Festival, Quinte
Spirit and Clarendon Blue Skies Festival, as well as realizing the childhood
dream of performing at the Mariposa Folk Festival at its 40th Anniversary.
In 2003, she self-produced a live EP recording of new material along
with long-time partner Jack Walker. During the summer of 2004, Laura
teamed up with four other female songwriters that culminated in a March
2005 tour in celebration of International Women's Day. She, Tannis Slimmon,
Katherine Wheatley, Marianne Girard and blues vocalist Heather Katz
formed what was to become 'The Pomelos', who now tour annually during
Int'l Women's Week.
Laura's performances and
songwriting have garnered both critical praise and recognition following
the release of her projects and she consistently strives to improve
her skills as a musician, a songwriter, a vocalist and a performer.
She also believes in helping others realize their dreams. In addition
to her work presenting the HAMS concert series, she is also co-founder
of the Colleen Peterson Songwriting Award, created to help support and
promote the work of emerging Ontario songwriters. She and Shirley Richardson
organized events celebrating the artistry of Colleen Peterson, which
raised $20,000 to establish this $1,000 award, the administration of
which is shared by the OCFF Songs From The Heart songwriting competition
and the Ontario Arts Council.
Laura served on the OCFF
board of directors from 2004 until 2007 and served eight years with
The ArtsCan Circle Board of Directors retiring from this position in
April 2008. ArtsCan Circle is a non-profit organization connecting creative
artists with First Nations children at risk in remote regions of Canada.
In addition to donating her graphic design skills, she managed the instrument
donations program for ArtsCan Circle, helping to set up music lending
libraries within isolated Northern communities. In June 2005, Laura
took her first trip to teach guitar and perform her songs for the Labrador
communities of Sheshatshui and Natuashish returning each spring in 2006
and 2007. During that time she also lead a team of musicians visiting
the Aboriginal community of Mishkeegogamang in Northern Ontario. Laura
looks forward to visiting these communities with ArtsCan Circle members
in the near future.
Laura began working with
bluegrass/jazz multi-instrumentalist and award-winner Emory Lester in
2005 producing an EP Demo of some new tunes and in 2006 her song 'Heavy
Load' was included on the bluegrass compilation project North To Ontario
which went on to win Recording of The Year at the Central Bluegrass
Awards that year. Her song 'Rosalita' featuring Lester and Mike Stevens
on harmonica will be featured on the NTO 2008 compilation project.
Laura and North To Ontario
producer Gene Gouthro began recording her new full-length project in
the late fall of 2007. Once again Laura has assembled a stellar core
of musicians and musical guests, representing the new Fly By Night Orchestra.
Fourteen of her compositions will feature the likes of Emory Lester
on mandolin, Dave Clarke on guitar, Allison Lupton on flute and many
original FBNO members including Mike Stevens on harmonica, Jack Walker
on dobro, Geoff Somers on violin and vocal harmonies by her sisters
in song The Pomelos featuring Tannis Slimmon, Katherine Wheatley, Marianne
Girard, Heather Katz and guest vocalists Chris MacLean and Juanita Wilkins.
The CD release concert is scheduled for Saturday November 15th, 2008
at the Orangeville Opera House. This will no doubt mark a new and very
positive direction in Laura's musical journey.